They're further aided by Lonergan's natural evocation of his cold, grim New England milieu, and aided by a script that manages the not-inconsiderable feat of finding consistent humor amidst so much despair. This list, updated weekly, only features the best of the year's best, and I'm being highly selective with my choices. Simpson, as well as providing background on the contentious historic relationship between Los Angeles' police force and African-American community. As the center of this quiet character study—a man resigned to his fate, and yet unable to stop dreaming of new beginnings that might take him down novel routes—Driver is remarkable. For her first feature since 2009's Jennifer's Body, Karyn Kusama delivers one of the year's great gripping thrillers with The Invitation, an intensely unnerving story about a Los Angeles man Logan Marshall-Green who, with his girlfriend in tow, attends a dinner party hosted by his ex-wife Tammy Blanchard and her new boyfriend Game of Thrones' Michiel Huisman —an awkward situation compounded by the fact that Marshall-Green and Blanchard's characters split following the death of their young child, which neither has properly gotten over. Patel picks at a raw nerve as the present-day Brierley, displaced but driven towards discovery, while Kidman delivers a heartbreaking performance as his adoptive mother.
A story split in three, Zhangke's trifurcated drama—with each chapter shot in ever-expanding visual aspect ratios—concerns three friends caught in a love triangle on the eve of the millennium. Ghostbusters' greatest tip of the hat is acting like a rebel in the face of the Hollywood standards -- just like its predecessor. He plays a man past the quaking heat of grief, now mired in its long and isolating winter. Hell or High Water Released: August 12th Cast: Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham Director: David Mackenzie Starred Up Why it's great: The rootin', tootin', consideratin' modern Western follows bank-robbing brothers Pine and Foster looking to save their family farm from foreclosure while sticking it to The Man. Hot on their tails is a soon-to-retire sheriff Bridges and his partner, who engage in their own morality dialectic as they drive deeper into the Texas heartland. Or do you think we have missed some others great titles that should make it to the list of 2016 romance films? Yet they feel entrapped by the beauty of their surroundings and yearn to get out of the tight-knit community.
Using copious footage shot by the former athlete himself some of it addressed to his unborn kid , J. Hip and flinty, The Edge of Seventeen tempers its dyspepsia with a careful mixture of humor and empathy, a relatable jumble that Steinfeld expertly translates through a piquant, millennial prism. But her performance would be insane and outsize in a more straitlaced film. South Korean auteur Park Chan-wook has made a name for himself with deliriously violent, sexually deranged revenge tales like Oldboy, Sympathy for Lady Vengeance, and 2013's English-language Stoker starring Nicole Kidman and Mia Wasikowska. A road-trip wonderment about young people living on the fringes of a vibrant, troubled America, American Honey hums with an ecstatic feeling of liberation, while showing the messy, upsetting stuff too.
Much like the film that houses it, that arresting scene is a sweet and stirring and unexpected paean to the wildness and impermanence of forgotten youth. Their cat-and-mouse showdown is plotted with a preponderance of rational decision making and a dearth of stupid what-are-they-doing? But here is song and music in the background and you might get hooked to the narrative once you get used to the absence of dialogues. Deliveries will be intimated by 1st week of December. The barbershop, always a safe haven, is embroiled in gang violence and city bureaucracy. Barry could be any half-black, half-white kid from the '80s. In this case, however, the subject isn't Mexican drug cartels but aliens, who mysteriously arrive across the globe in giant ships, and who don't communicate in anything like a decipherable human language. Little Men Released: August 5th Cast: Greg Kinnear, Paulina García, Jennifer Ehle, Theo Taplitz, Michael Barbieri Director: Ira Sachs Love Is Strange Why it's great: Everyone deserves a sharp-eyed director who makes movies about their hometown.
Nerdua imagines the manhunt in a classic noir mode, complete with shadows, exaggerated voiceover, and a brassy soundtrack. The drama isn't as potent as Chazelle's pragmatic spectacle, but rarely do we get crowd-pleasers with a head and a heart. The Treasure Released: January 8th Cast: Toma Cuzin, Adrian Purcarescu, Corneliu Cozmei Director: Corneliu Porumboiu Police, Adjective Why it's worth your time: With deadpan delivery that would make Steven Wright jittery, this Romanian comedy tells the story of Costi, a down-on-his-luck office drone, who joins his neighbor and a professional metal detector to hunt for a fortune buried beneath a family estate. Though highly critical of the damage wrought by modern civilization in this untamed land, it's a film that refuses to simplistically lecture, instead ultimately expressing a mature ambivalence about colonialism's complicated legacy. Wilderpeople is a generous genre blend, with Waititi, director of the wacky, vampiric mockumentary What We Do in the Shadows, finding cheeky jokes in the duo's perilous journey. And there's a happy ending, but not the one you expect.
It's the kind of blockbuster you get more out of than air conditioning. Gosling, as a jazz purist who yearns to open his own club, and Stone, a barista-cum-actress who spends equal time auditioning and daydreaming, pull off an acting two-step by imbuing Broadway-style fantasy -- complete with showstoppers, solos, and dance routines -- with a realistic struggle creative types will recognize. The Light Between Oceans 2016 Director: Derek Cianfrance Cast: Michael Fassbender, Alicia Vikander, Rachel Weisz But as the truth about the baby unfold, they must make decisions that many not work in their favor. Together they maneuver through a difficult time, negotiating a way to live, and maybe thrive, in a world laden with loss. As the just-about-to-retire sheriff hot on their trail, Bridges delivers one of his finest performances, radiating both wit and regret as an old-school relic who—like the criminals he's pursuing, and the beaten-down land that he roams with his Native American-Mexican partner Alberto Gil Birmingham —is on the precipice of transforming into a ghost from a bygone era. Where to see it right now: In theaters 35.
After speaking out against President Videla's anti-communist rhetoric in 1948, Neruda Gnecco is sent on the run, with the government cronies hot on his tail. Keen to that fact, Natalie Portman takes the role and goes for broke, delivering a performance of staggering intensity, pitched somewhere between method and camp, between impersonation and utter becoming. High Strung A musical romantic drama, High Strung follows the romance of a moody New York Subway violinist and a dancer from the prestigious Manhattan Conservatory of the Arts. Where to see it right now: In theaters. Courtesy of the Cannes Film Festival Chinese master Jia Zhangke illuminates the macro and the micro in this wistful and ultimately deeply moving film, investigating huge cultural shifts and small personal evolutions with care and insight.
Plus, Gosling's impromptu Lou Costello homage is one for the ages. Creative Control Released: March 11th Cast: Benjamin Dickinson, Nora Zehetner, Alexia Rasmussen, Reggie Watts Director: Benjamin Dickinson First Winter Why it's great: This casually dazzling sci-fi movie imagines our immediate future, on the eve of a virtual revolution where augmented-reality visors will replace the smartphone. This one surely can test you best 2016 romantic movies list. Come for the luxurious period décor, uninhibited carnality and ominous atmosphere, and stay for the octopus. What more could you want? Hell or High Water has shoot-outs and car chases -- the slickest you'll see this year -- but it's in diner conversations and pickup-truck small talk where Mackenzie finds a beating heart, economic depression as the greatest equalizer. Which movies from this list have you already see and which ones made it to your Best 2016 Romantic movies list. Joachim Trier isn't a household name in America, but the Norwegian filmmaker's first two features—2006's Reprise and 2011's Oslo, August 31st—were startlingly incisive dramas about young men struggling with issues of adulthood, responsibility, and regret.